Sagrada Familia

May 29. 9:00 AM. We’re in line for the tour of Sagrada Familia. We purchased tickets months ahead of time and I did some research to figure out what would be the best time to photograph the project. Photographing the whole building is a challenge. This is a work in progress with construction cranes towering over the structure. In looking at photos in tourist information I can only assume that some effort went into removing the construction cranes and other construction infrastructure in Photoshop.

The Nativity facade faces east, which where we found ourselves for the start of the tour and the best light is morning. The Passion facade faces west, which is best photographed in the afternoon.

Construction of The Temple Expiatori de la Sagrada Família began in 1882 under the guidance of Antoni Gaudí. The goal is to complete the construction by 2026, the one hundredth anniversary of Gaudi’s death.

Security to get into the tour is on par with airport security. No knives, liquids, and such. Backpacks go through an x-ray machine, and you walk through a scanner. My knee brace set off an alert and I was pulled aside. Staff was very courteous.

After picking up our interpretive handsets and putting our day pack in a locker we took the elevator up the tower and climbed back down a never ending spiral of stairs with occasional impressive views of the city below.

Inside the basilica one needs to keep in mind that this is a working Church and some sense of reverence is required. Here the genius of Gaudi’s design becomes apparent. The columns of multicolored stone rise up like trees and branch into smaller supporting limbs. Gaudi referred to this as the forest. Gaudi’s inspiration in the architecture of nature and natural forms and his devotion to his faith become apparent wherever you look. A stunning example of Gaudi’s architecture. And even with the construction there are so many interesting details to photograph that there is no shortage of subject matter for the camera.

Those who look for the laws of Nature as a support for their new works collaborate with the creator. – Anoni Gaudi

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